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This is Uganda
Collin Sekajugo, 16 March - 31 August 2020

This is Uganda: Collin Sekajugo

Past exhibition
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Overview
Collin Sekajugo, Sugar Daddy, 2019, Photo print, polypropylene and acrylic on canvas, 97 x 65 cm
Collin Sekajugo, Sugar Daddy, 2019, Photo print, polypropylene and acrylic on canvas, 97 x 65 cm

At the beginning of 2019, I extended my creative energy into exploring the social mechanisms that are embedded in the indescribable culture of my country of birth. As an aspiring global citizen, I'm yet to find the right words to describe what some would characterize as simply chaotic, or what others may refer to as beautiful and vibrant. Whereas one might perceive the country as a total mess, others would passionately portray it as "gifted by nature", "welcoming", "generous and thriving". Alongside all the freedoms of expression, movement and trade, inequality, habitual politicking, miseducation, misinformation and pervasive lawlessness thrive in equal measure. And, despite the clash of the positive and negative, the good and bad - Uganda takes pride in this reality. This is what makes us who we are as a nation. This is Uganda. C'est l'Ouganda. 

 

Cows, goats, sheep, chickens, dogs roaming everywhere anytime.

Everyone is building anything anywhere anytime. Everyone is selling, buying and disposing of everything everywhere.

Boda Bodas are everywhere carrying everyone and everything anytime.

Music is loud everywhere, voiceovers, posters advertising everything everywhere.

Everyone is saying anything to anyone anywhere

People don't care, leaders don't care. Donors don't care. Nobody cares. This is freedom. This is Uganda. C'est l'Ouganda!

 

This project is aimed at exploring the role of identity in the making of Uganda's social fabric. It speaks to the tension between its fast-growing population versus the availability of public resources that are meant to cater for it. The backdrop of all the artworks in this project are performances wherein the quilted empty food sacs denote the seemingly endless need for humanitarian aid in poverty stricken and refugee-hosting countries like Uganda.

 

As a multidisciplinary artist, whose main purpose is rooted in community development, I am strongly passionate about using this project as a steppingstone to engage the local and international communities in conversations and dialogue on Uganda's most crucial issues that range from education standards and healthcare to environmental protection and public safety.

 

Along the way, I'm conceptualizing and contextualizing both mental and physical spaces where I create interactive artworks in different mediums i.e. mixed media on canvas, photography, installations and art performances.

 

Recycling is a significant part of my work. I'm therefore continuing to explore the use of locally sourced materials such as used polypropylene that denotes consumerism and bark cloth that represents Uganda's cultural identity.

                                                                                                   

Collin Sekajugo

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Works
  • Collin Sekajugo, Lone Beneficiary, 2019
    Collin Sekajugo, Lone Beneficiary, 2019
  • Collin Sekajugo, Spotlight, 2019
    Collin Sekajugo, Spotlight, 2019
  • Collin Sekajugo, Clouds and the Sun, 2019
    Collin Sekajugo, Clouds and the Sun, 2019
  • Collin Sekajugo, Freed Taylor, 2017
    Collin Sekajugo, Freed Taylor, 2017
  • Collin Sekajugo, The Generator, 2017
    Collin Sekajugo, The Generator, 2017
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Installation Views
  • A48155E5 D29A 47F9 Ab09 1C6Cbe4Aec87
  • B53Bcd6D 8A2B 4A5F A579 5870Ba980258
  • 6Ca5735B 1276 4118 85E2 0E662F82586A
  • 7D1Af667 F9Dd 4E5D 807A 56Ed192978Eb
  • Dd4C99B9 Ee2A 4843 9Bff 8159625B0784
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Publications
  • This is Uganda

    This is Uganda

    Collin Sekajugo 2020 Read more
News
  • Decades of Belgian Responsabilities

    Decades of Belgian Responsabilities

    Rwanda File: Lights on a Genocide - by Colette Braeckman for Le Monde Diplomatique Read more
Press release

The Sulger-Buel Gallery is proud to announce a solo exhibition titled 'This is Uganda' by Ugandan artist Collin Sekajugo. It will be open to the public on Monday, 16th March 2020 and will conclude on Thursday, 16th April 2020.

 

About the Exhibition:

 

"At the beginning of 2019, I extended my creative energy into exploring the social mechanisms that are embedded in the indescribable culture of my country of birth. As an aspiring global citizen, I'm yet to find the right words to describe what some would characterize as simply chaotic, or what others may refer to as beautiful and vibrant. Whereas one might perceive the country as a total mess, others would passionately portray it as "gifted by nature", "welcoming", "generous and thriving". Alongside all the freedoms of expression, movement and trade, inequality, habitual politicking, miseducation, misinformation and pervasive lawlessness thrive in equal measure. And, despite the clash of the positive and negative, the good and bad - Uganda takes pride in this reality. This is what makes us who we are as a nation. This is Uganda. C'est l'Ouganda. 

 

Cows, goats, sheep, chickens, dogs roaming everywhere anytime.

Everyone is building anything anywhere anytime. Everyone is selling, buying and disposing of everything everywhere.

Boda Bodas are everywhere carrying everyone and everything anytime.

Music is loud everywhere, voiceovers, posters advertising everything everywhere.

Everyone is saying anything to anyone anywhere

People don't care, leaders don't care. Donors don't care. Nobody cares. This is freedom. This is Uganda. C'est l'Ouganda!

 

"This project is aimed at exploring the role of identity in the making of Uganda's social fabric. It speaks to the tension between its fast-growing population versus the availability of public resources that are meant to cater for it. The backdrop of all the artworks in this project are performances wherein the quilted empty food sacs denote the seemingly endless need for humanitarian aid in poverty stricken and refugee-hosting countries like Uganda.

 

As a multidisciplinary artist, whose main purpose is rooted in community development, I am strongly passionate about using this project as a steppingstone to engage the local and international communities in conversations and dialogue on Uganda's most crucial issues that range from education standards and healthcare to environmental protection and public safety.

 

Along the way, I'm conceptualizing and contextualizing both mental and physical spaces where I create interactive artworks in different mediums i.e. mixed media on canvas, photography, installations and art performances.

 

Recycling is a significant part of my work. I'm therefore continuing to explore the use of locally sourced materials such as used polypropylene that denotes consumerism and bark cloth that represents Uganda's cultural identity."

--- Collin Sekajugo

 

About the Artist:

 

Collin Sekajugo

Born 1980 in Masaka, Uganda

Lives and works between Rwanda and Uganda

 

In 2007 after traveling around Eastern and Southern Africa on a series of study tours Collin Sekajugo returned to Rwanda with a vision of "Using Art to Change Lives".  This mission led him to open the first visual arts space in Kigali under the name Ivuka. During this time, Rwanda was seen as a newborn baby struggling to reconcile its turbulent past and reconstruct itself.  Ivuka whose name connotes re-birth became a center of hope for ambitious youth eager to explore life's meaning through the arts.  An incubator for creative activities, Ivuka includes a joint studio space for aspiring visual artists and a children traditional dance troupe, Rwamakondera (Rwandan horns) that brings together disadvantaged children and teaches them dance as a means of healing, educating and instilling in them a sense of hope for their future.

 

Inspired by the success of Ivuka and eager to extend this vision of using arts to catalyze change in his father's birthplace, Masaka, Uganda, this self-taught artist expanded his scope to the village of Ndegeya.  In 2010 Sekajugo started transforming the village into an arts destination under an initiative that he named Ndegeya Foundation.  Ironically, Ndegeya, is the local name for a Weaver Bird, which is recognized for its artistically elaborate nests, reinforcing the image of this environ as a birthplace of creativity and innovation. Today Ndegeya village boasts a sculpture park with camping facilities; a village art gallery; children's library and a youth development center.  Additionally, Sekajugo runs an artists-in-residency program called Weaver Bird Residency for creatives that are eager to enjoy and seek inspirations from this special village while developing their artistic practices. 

 

In 2017, Ivuka Arts Kigali celebrated its 10th anniversary. This important milestone has given Collin Sekajugo pause to sit back and reflect on how his humble initiative has inspired its alumni to open similar spaces such as the Uburanga Arts Studio, Inema Art Centre, Yego Art Centre and Niyo Arts Gallery.

 

Sekajugo's own artwork reflects on his social conscience, highlighting the link between art and community in Africa.  Sekajugo has travelled extensively in Africa, Europe and North America, participating in international artists' conferences, workshops and residencies through which he is quickly gaining international name recognition. His artwork holds the distinction of being a part of the permanent collection at the Smithsonian National Museum of African Art in Washington, DC, as well as other notable private and corporate collections in the US, Europe, Africa and Asia.

 

Collin Sekajugo is winner of the 2019 Human Rights Award Uganda.

 

About Sulger-Buel Gallery:

 

Sulger-Buel Gallery is an art gallery specializing in the contemporary art of Africa and its Diaspora. Founded in 2014 by Christian Sulger-Buel, the gallery provides a focus for those wanting to explore one of the fastest developing, ground-breaking and important areas in contemporary practices - Modern & Contemporary African Art. We do this while addressing a variety of artistic mediums including drawing, painting, sculpture and photography. Led by a diverse and international team of specialists, Sulger-Buel presents a dynamic exhibition program, produces innovative publications and offers consultancy services; visitors, curators and collectors alike can experience its cutting-edge shows at the London space a stones throw away from the Tate Modern  as well as at international art fairs across the globe.

 

Venue Detail:

 

Sulger-Buel Galley

The Loft, 51 Surrey Row, Unit 2 La Gare, London SE1 0BZ

 

Gallery hours during exhibitions: Monday - Friday: 10:00 - 18:00

Weekends or other times by appointment only.

Download Press Release
Videos
  • Collin Sekajugo: Studio Visit

    Collin Sekajugo: Studio Visit

    Read more
  • Human Rights Award, 2019

    Human Rights Award, 2019

    Mr. Sekajugo Collin as the third recipient of its prestigious annual human rights award 2019 Read more
Related content
  • Collin Sekajugo: Studio Visit Videos

    Collin Sekajugo: Studio Visit

    May 10, 2021
    Read more
  • Decades of Belgian Responsabilities News

    Decades of Belgian Responsabilities

    Rwanda File: Lights on a Genocide - by Colette Braeckman for Le Monde Diplomatique Apr 29, 2021
    Entre 1920 et 1962, la Belgique a administré le Rwanda, en s’appuyant notamment sur les missionnaires catholiques. Imprégnés de l’idéologie racialiste, ces colonisateurs ont imposé...
    Read more
  • This is Uganda Publications

    This is Uganda

    Collin Sekajugo Mar 12, 2020
    At the beginning of 2019, I extended my creative energy into exploring the social mechanisms that are embedded in the indescribable culture of my country...
    Read more
  • Human Rights Award, 2019 Videos

    Human Rights Award, 2019

    Mr. Sekajugo Collin as the third recipient of its prestigious annual human rights award 2019 May 8, 2019
    Read more

Related artist

  • Collin Sekajugo

    Collin Sekajugo

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